Magazine Topics:
- Shorts
- Five Fall, Winter Must See Films
- Movie Review: ‘Nope’ a Yep Because of Sheer Fear, Relatable Characters
- Film Review: ‘Louis Armstrong’s Black & Blues’ Paved Way For Future Outspoken Black Talent
- Film Review: ‘The Holdovers’ Are All Appealing, Fascinating Characters
- Film Review: ‘The Iron Claw’ One of Saddest Tales Told On Screen in Long Time
- Film Review: ‘The Boys in the Boat’ Unfortunately Sinks
- Film Review: ‘Sidney’ Exudes Self-Confidence, Knowledge of Self and Dignity
- From 2300 Jackson Street to Big Screen: Antoine Fuqua to Direct Michael Jackson Biopic
- Film
- Stars Shine at Takers Houston Premiere
- Houston Cinema Arts Festival Returns This Month
- Movie Review: ‘Memory’ Par for Course for Neeson Roles in Recent Memory
- Film Review: ‘Aftershock’ Infuriating, Educational and Sometimes Joyous
- Film Review: ‘Vengeance’ Gets Texas Right, 100 Percent
- Film Review: ‘The Last Out’ Shows How Elusive Fame, Glory Can Truly Be
- Film Review: ‘Till’ Powerful, But Difficult to Digest Even For Those Knowledgeable About Tragedy
- Film Review: ‘Devotion’ Heartbreaking, Much-Needed Portrayal of Korean War
- Film Review: ‘My Father Muhammad Ali’ Eye-Opening Look Into Champ as Father
- Movie Review: ‘Missing’ Craaaazy Movie Version of an ID Show
- Film Review: ‘Creed III’ Much More Emotional Than Predecessors; Final Bout Leaves Much to Be Desired Visually
- Movie Review: ‘White Men Can’t Jump’ Enjoyable, But Stars Don’t Have Charisma of Wesley, Woody
- Movie Review: Every Visionary, Dreamer Should Watch ‘Flamin’ Hot’
- Film Review: ‘The Creator’ on Some New Age ‘Ish’
- From O-Dog to Darius Lovehall to Frankie Lymon: The Top 10 Larenz Tate Films of All Time
